Dark Lighthouse

Another product of our recent honeymoon: a distance shot, taken with a Sigma 150-500mm zoom, of Ram Island Ledge Light. There is a certain mystique about the image of the lone lighthouse in the midst of the sea, its keeper isolated, the endlessly crashing waves an eternal music in the background.

To underscore this dream-like quality, I first used the “ghostly” filter in Topaz Adjust and then black & white effects to add a slightly sepia quality.

For some reason the word “filter” means something different than it used to. It used to exclusively mean the tinted attachments for slr lenses. But gradually it came to include digital effects added in post-production. And because most effects can be achieved without buying new hardware, just about the only screw-on filter I use these days is a polarizing filter. But that’s for another post.filterpolar3

Mostly the choice of a digital filter is left up to artistic license. But I can definitely recommend the Topaz Labs line, which is quite extensive. Imagenomic and Nill PhotoFX are also good choices. The main thing to remember is to try out a filter for yourself before you commit to buy. Most vendors offer trial versions and all photography shops I’ve interacted with will allow you to attach an accessory to your camera to give it a try in the store.

Exposure Data: ISO 200, f/6.3, 1/1000

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Blood Fountain


Providence, Rhode Island: home and haunt of famous horror writers and my favorite city. As part of our honeymoon, I took JoDee on a walking tour of the College Hill district; and during the night we both enjoyed the Ghost Tour, held every October. Not only did we take in some entertaining local legends, but tackled some interesting photo projects.

This fountain sits in front of the Athenaeum library on Benefit Street. Nearby, the ghost of Edgar Allen Poe was allegedly sighted by a frightened library patron. And as the tour guide related this macabre tale, I had JoDee assist me with an idea.

I composed this shot using a speedlight and two wireless triggers. JoDee handheld the flash while I manually focused a zoom lens set at a focal length of 18mm. The resulting side lighting brought out some amazing textures.

After deliberately underexposing for the ambient light, the flash becomes the primary or “key” light source. In that type of situation, the photographer needs to avoid head-on flash illumination as it creates a very flattening effect, unflattering for portraits and one that tends to de-emphasize texture and detail. Mounting the flash off-camera at an oblique angle provides much better results.

Also, as an interesting side note, I afterwards recalled some scenes Ghost Guidefrom my wife’s favorite vampire-related television show and altered the hue of the photograph to make the rust stains a bit more “bloody.” Halloween, here we come. ;)

And in case anyone would like to attend a ghost tour for themselves, check out the guides at http://www.providenceghosttour.com/

Exposure Data: ISO 100, f/5, 1/100

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Bride and Groom Forehead Kiss 1000p

On the eleventh of October, I was filled with joy to marry my assistant JoDee! And if you need to determine how happy I am to be her husband, just look at this post’s photograph. She and I are starting a wonderful life together, and I’m pleased to share part of its opening chapter with all of my readers.

But this is a photography blog, so what’s my point? Simply put, I did something on the Big Day that I’m not sure how many would want to attempt. I wanted to be my own photographer!

But since I can’t clone myself, I acted more like a coordinator than an actual shutterbug. Providing the gear, selecting the settings, giving direction to the assistant shooters and providing disposable cameras for guests to use during the reception constituted most of my self-imposed duties. But when it came to the formal portraits, I took a more direct role. I wanted to do these Twilit Lens style.

So for the above photo (and others like it), I set up a brown muslin with a few fall-themed props. Two small Promaster softboxes were used for the light sources, so I was easily able to handhold my dslr. However, for the above “selfie” I broke out the tripod and had an assistant compose and take the shot according to my directions. A 50mm prime lens was used here, a lens I prefer for most of my portrait work because of its high image quality. Later, I used Imagenomic’s Portraiture filter to add some nice softening effects.

I had more fun on my wedding day than I ever thought possible and began an amazing new adventure. I love you, JoDee!

Exposure Data: ISO 200, f/1.8, 1/80

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Memories of Music

Photographing the street means that life comes to you. Whether you wander around or stay put people are on the move, doing things you might never expect. And all the while your mind is moving too: imagining, remembering, questioning. With both internal and external forces working at once, a vision can sometimes appear.

I had the 7D with zoom attached and roamed the circumference of a city block. Among the scenes were two groups, one of street performers and one of tourists. Both had one thing in common: interesting faces. Up came the camera.

I have people in my life that talk a lot about the insane era of the 1960s. Protests, wars, assassinations, space flight: all of it made for a chaotic time that forever marks the memories of those who lived through it. Now, fifty years later, the ‘60s generation is aging; what might it be like for a Vietnam-era musician to look back on his rebel days? To capture this idea, I used Photoshop’s layering feature to overlay one image with another, along with a soft eraser to blend the two. Topaz Black & White Effects was also used on both images to bring out additional detail.

Exposure Data
ISO 400, f/5.6, 1/200
ISO 250, f/6.3, 1/200

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R. C. Fountain:

Hi everyone! I’m very pleased to announce my guest blog post over at Leanne Cole Photography! Enjoy, and do feel free to leave a comment and check out the rest of her wonderful site. She’s got some truly inspiring images and thoughts to share.

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Originally posted on Leanne Cole PHOTOGRAPHY:

When I put the call out for people to guest blog I received an email from R.C. Fountain from the blog, THE WORLD IN TWILIGHT  , saying “I’d like to write a post about some sample methods of marrying film with digital techniques, e.g. compositing a digital image with a film image.” I thought it sounded like an interesting idea, we often don’t think of combining both, so I have been looking forward to hearing what he does. 

The Frankenphoto: Fusing Analog and Digital

When I was a boy, I looked at the world through squinted eyes. I closed those eyes to mere slits so that only a faint line of light and moving shadow remained to show the world. It was a filter that lended itself to dreams and one that I still occasionally find myself applying in order to recall those fantasies of my youth. And I…

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Gallery  —  Posted: October 3, 2014 in Fine Art, Gear, Guest Posts, Projects, Tips

Indian Woman

There was more to see at the balloon festival than the eponymous flying machines. With thousands of people wandering around the airfield, there were many chances to catch some great shots of folks as they socialized or took pictures of their own.

I’ve always wanted to travel to India. I have several friends who come from that country, and I admire the beauty of their language and many of their customs. So I was pleased to find a woman in traditional dress at the festival. It was a bit cold that day, and I imagined she might have been shivering a bit, wrapped up though she was.

As with other shots taken at the festival, this one required a versatile lens: in this case a 18-270mm zoom. In street photography, conditions can change in a heartbeat. Moments can be found and lost with equal speed, so it’s often a good idea to wait for the action to come to you. A good zoom will allow you to be more unobtrusive in the midst of all the activity. Instead of constantly moving back and forth to get just the right distance to your subject, just adjust your lens.

Exposure Data: ISO 4000, f/6.3, 1/200

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Balloon Interior

There was a lot to see at the recent balloon festival in Queensbury, NY. Thousands of people criss-crossed the airfield while large speakers blared an eclectic mix of music from popular songs to movie soundtracks. Meanwhile dozens of lighter-than-air behemoths with fire in their bellies struggled to rise from their grassy beds.

Each balloon’s crew carefully kept both their machine and onlookers safe as photographers like me struBalloon Fireggled for a spot to get a good shot in wherever we could. Added to everything was the challenging light: the sun struggled to shine through overcast skies and made each press of the shutter button an exercise in artistic risk because of the inevitable sensor noise.

Fortunately modern DSLRs tend to take great shots even at extreme ISOs. A denoise filter, in this case Topaz’ De-Noise, helped to eliminate most of the grain.

In an environment where conditions constantly change, such as weddings or busy events, having a zoom lens with a wide range of focal lengths helps to eliminate potential fumbling with many different lenses and subsequent loss of the moment. At this festival I used an 18-270 mm zoom, my “swiss army knife” of choice.

Exposure Data: ISO 6400, f/4.5, 1/60

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